Author name: hubs

Pinball Is A Game Of Skill, Not Chance

Pinball was illegal in New York City from 1940 till 1976. The above short explores the surprisingly troubled history of pinball in New York and why it was banned there for over 35 years. The ban was lifted when WWII ended and the state finally (and rightfully) determined that pinball is a game of skill and not a game of chance. The great Big Story explains:

In 1940, pinball machines were banned in New York City. Like most contraband, this simply pushed pinball underground. After the Japanese attacked Pearl Harbor in 1941, the “Salvage for Victory” campaign called on Americans to turn in scrap metal to bolster the war effort. As a result, then New York City mayor Fiorello LaGuardia went on a hunt for pinball machines. By February 1942, more than 3,000 machines has been confiscated, turning roughly 2,500 of them into one ton of metal for the war. Unfortunately for pinball enthusiasts, the ban in New York lasted for decades, outliving LaGuardia, who died in 1947.

Introducing The Quentin Blake Typeface

If you have ever read a children’s book illustrated by Sir Quentin Blake, you are probably familiar with Blake’s playful and original handwriting style. The folks at Monotype were tasked with creating a typeface that replicated the unique form of Blake’s writing in an authentic and natural way.

Monotype’s solution included using four subtly different variants of each letter that was selected from a large collection of writing samples. The variants allow for the typeface to seem to have random alterations and diversity among the letters, making it appear more like handwriting. The result is a typeface that doesn’t just look like Sir Quentin Blake’s writing, it acts like it too.

Quentin Blake Typeface

via Kottke

Emo For Emo’s Sake

Rolling Stone has taken a shot at listing the 40 Best Emo Albums of all time. Emo seems to a pretty polarizing genre so I suspect many will have trouble with the list (and some will even protest it’s existence). There are always problems with lists like this, but this one seems pretty darn solid to me.

The top 10 rounds out like this:
10. My Chemical Romance, ‘Three Cheers for Sweet Revenge’ (2004)
9. Fall Out Boy, ‘From Under the Cork Tree’ (2005)
8. Jimmy Eat World, ‘Bleed American’ (2001)
7. Cap’n Jazz, ‘Burritos, Inspiration Point, Fork Balloon Sports …’ (1995)
6. American Football, ‘American Football’ (1999)
5. Braid, ‘Frame and Canvas’ (1998)
4. Jawbreaker, ‘Dear You’ (1995)
3. The Promise Ring, ‘Nothing Feels Good’ (1997)
2. Rites of Spring, ‘Rites of Spring’ (1985)
1. Sunny Day Real Estate, ‘Diary’ (1994)

For the uninitiated here is a primer called “What the heck *is* emo, anyway?”

Every Rose Has Its Thorn Played By An Actual Rose Thorn

Michael Ridge does all sorts of interesting sound experiments. In this video he plays Poison’s classic 7″ vinyl single of ‘Every Rose Has Its Thorn‘ through a mic’d up branch of dried rose bush amplified by a contact microphone connected to a Marshall MS-4

“But he who dares not grasp the thorn should never crave the rose” – Anne Brontë

via Dangerous Minds

UPDATE: Attempting to play the 7″ vinyl single ‘Ice Cream’ by New Young Pony Club using an ice cream cone and attempting to play track one and two from Side A of the 1966 LP ‘The Band I Heard In Tijuana Volume 3’ by Los Norte Americanos using a lightly salted tortilla chip.

A Very Ween Valentines

Valentine Ween

Ween made their triumphant return after not performing together for over four years and Denver is lucky enough to have had three days worth of reunion shows this Valentines Weekend.

The first night consisted of a whopping 33 songs (Dean promised 94 songs, no repeats, over he weekend). The night also offered a live début of “How High Can You Fly?” You can listen to Friday’s show below.

The second night Ween played a six song acoustic block (tracks 13-18). They also live debuted the songs “Kim Smoltz” and “Transitions”. The band also made a tribute to the late Lemmy Kilmister with a rocking cover of Motörhead’s “Ace of Spades.” Listen to Ween’s Saturday show here:

The final show was a great Valentines Day surprise as well. The set was a total of 31 songs bringing the weekend to an astonishing grand total to 93 songs! Valentines night was made up of a live début of “Israel” and another six-song acoustic set (tracks 14-19). The weekend was topped off with a five song double encore.

Here are some stats from the three-night reunion weekend:
God Ween Satan (1990): 14 songs
Chocolate & Cheese (1994): 13 songs
The Pod (1991): 11 songs
White Pepper (2000): 10 songs
Pure Guava (1992): 8 songs
The Mollusk (1997): 8 songs
B-sides/others: 7 songs
Quebec (2003): 6 songs
Shinola, Vol. 1 (2005): 6 songs
La Cucaracha (2007): 5 songs
12 Golden Country Greats (1996): 4 songs
Covers: 1 song (Motorhead)

The Boognish is Back!

Teahupo’o From The Sky

Surfing Magazine has released this spellbinding drone footage of surfers charging the infamous Teahupo’o wave break in Tahiti. The footage provides a new beautiful perspective of this powerful surf spot.

The name ‘Teahupo’o’ loosely translates to English as “to sever the head” and is regarded as one of the most challenging surf breaks in the world. The wipeout 3:17 minutes into the video helps explain why. The drone piloting at the 3:30 mark, when the camera films two waves in a single sequence, is incredible. And to top it all off I’m pretty sure the surfer at 3:53 is lit on fire!

The moody music is a song by Brigitte Fontaine called “Le Goudron”. Do the video justice and watch it at full screen with volume up.

Via Metafilter

Broken Porcelain Lady Figurines

Jessica Harrison takes old ceramic statues of fancily-dressed women and disembowels them. These found porcelain figures, that are typically seen occupying a special place your grandmother’s credenza, are reimagined in the most gory of ways. The juxtaposition of the prim statuettes displaying their decapitated heads and freshly opened throats without changing their demure expressions is striking. Despite having appeared to have been subjected to an awful violence (perhaps their own), the Georgian and Victorian-era figures remain decorous figures. The results are gory and macabre while also being kitsch and playful.

Unknown 2

There is a great interview with Harrison about the meaning behind her work on The Skinny. Many of these images can be purchased as signed and numbered prints on Harrison’s website.

First Ever Extra Terrestrial Zinnia Flower

First Space Flower

This orange beauty, bathing in natural sunlight for the first time, is the first Zinnia flower to have ever grown entirely in space. It’s part of the VEG-01 experiment on the International Space Station.

The Veggie experiments will allow the crew members to begin the first steps of in-orbit food production as well as educational outreach and recreation for long-duration missions. The experiment allows scientists to gain a better understanding of plant cultivation and will help determine ways to carry out self-sustaining life support systems during long distance space travel, possibly to Mars.

The facility has previously grown lettuce which was consumed by the crew last year. The next set of crops, called VEG-03, has two types of Chinese cabbage and more romaine lettuce. It will arrive at ISS in March via SpaceX’s CRS-8 mission. In 2018, NASA will send a set of dwarf tomato plants to ISS and we could witness crew members eating the first space salads.

Surprising, the Zinnia flowers almost died from over watering, a mold outbreak, and too much bureaucracy from NASA:

In late December, Kelly found that the plants “weren’t looking too good,” and told the ground team, “You know, I think if we’re going to Mars, and we were growing stuff, we would be responsible for deciding when the stuff needed water. Kind of like in my backyard, I look at it and say ‘Oh, maybe I should water the grass today.’ I think this is how this should be handled.”

The Veggie team on Earth created what was dubbed “The Zinnia Care Guide for the On-Orbit Gardener,” and gave basic guidelines for care while putting judgment capabilities into the hands of the astronaut who had the plants right in front of him. Rather than pages and pages of detailed procedures that most science operations follow, the care guide was a one-page, streamlined resource to support Kelly as an autonomous gardener. Soon, the flowers were on the rebound, and on Jan. 12, pictures showed the first peeks of petals beginning to sprout on a few buds.

Space Flower

Space FlowerAll photos via Scott Kelly/NASA

Pretty/Dirty

This weekend I visited the Marilyn Minter retrospective at the Museum of Contemporary Art Denver (MCA). All the work was captivating in beautiful and disgusting way. Her juxtaposition of glamor and grit, of the revealing and the disturbing, and of the intimate and the amplified shown throughout the entire show. The title Pretty/Dirty couldn’t have been more apt. A great review of the exhibit can be found at Hyperallergic.

Pretty Dirty 2“Pop Rocks” by Marilyn Minter

I was more impressed with her paintings than her photographs or videos. Above is a full-sized photo of Minter’s painting “Pop Rocks”. It’s a gigantic 9 feet by 15 feet. Outside of their sheer size and incredible detail, I’m fascinated by the process used to create them. The paintings start as heavily mixed and manipulated Photoshop negatives taken from earlier photo shoots. This new image is then turned into paintings created through multiple layers of translucent enamel paint on aluminum giving a rich hallucinatory look.

The final layer is applied with fingertips to create a softening of the paintbrush lines. And when you look closely you can see evidence of fingerprints and smudges all over her works. Below is a detail of the condensation from “Pop Rocks”

Pretty Dirty 5Detail of “Pop Rocks” by Marilyn Minter

The Marilyn Minter retrospective will be showing at MCA through the month so hurry up and go see it while you can. You can find a few more of my photos from the exhibit below.

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